1In those long days spent in her room, Olivia had come slowly to be aware of the presence of the newcomer at Brook Cottage. It had begun on the night of Jack’s death with the sound of his music drifting across the marshes, and after the funeral Sabine had talked of him to Olivia with an enthusiasm curiously foreign to her. Once or twice she had caught a glimpse of him crossing the meadows toward O’Hara’s shining chimneys or going down the road that led through the marshes to the sea—a tall, red-haired young man who walked with a slight limp. Sybil, she found, was strangely silent about him, but when she questioned the girl about her plans for the day she found, more often than not, that they had to do with him. When she spoke of him, Sybil had a way of blushing and saying, “He’s very nice, Mother. I’ll bring him over when you want to see people.... I used to know him in Paris.”

2And Olivia, wisely, did not press her questions. Besides, Sabine had told her almost all there was to know ... perhaps more than Sybil herself knew.

3Sabine said, “He belongs to a rather remarkable family ... wilful, reckless and full of spirit. His mother is probably the most remarkable of them all. She’s a charming woman who has lived luxuriously in Paris most of her life ... not one of the American colony. She doesn’t ape any one and she’s incapable of pretense of any sort. She’s lived, rather alone, over there on money ... quite a lot of money ... which seems to come out of steel-mills in some dirty town of the Middle West. She’s one of my great friends ... a woman of no intellect, but very beautiful and blessed with a devastating charm. She is one of the women who was born for men.... She’s irresistible to them, and I imagine there have been men in her life always. She was made for men, but her taste is perfect, so her morals don’t matter.”

4The woman ... indeed all Jean de Cyon’s family ... seemed to fascinate Sabine as she sat having tea with Olivia, for she went on and on, talking far more than usual, describing the house of Jean’s mother, her friends, the people whom one met at her dinners, all there was to tell about her.

5“She’s the sort of woman who has existed since the beginning of time. There’s some mystery about her early life. It has something to do with Jean’s father. I don’t think she was happy with him. He’s never mentioned. Of course, she’s married again now to a Frenchman ... much older than herself ... a man, very distinguished, who has been in three cabinets. That’s where the boy gets his French name. The old man has adopted him and treats him like his own son. De Cyon is a good name in France, one of the best; but of course Jean hasn’t any French blood. He’s pure American, but he’s never seen his own country until now.”

6Sabine finished her tea and putting her cup back on the Regence table (which had come from Olivia’s mother and so found its graceful way into a house filled with stiff early American things), she added, “It’s a remarkable family ... wild and restless. Jean had an aunt who died in the Carmelite convent at Lisieux, and his cousin is Lilli Barr ... a really great musician.” She looked out of the window and after a moment said in a low voice, “Lilli Barr is the woman whom my husband married ... but she divorced him, too, and now we are friends ... she and I.” The familiar hard, metallic laugh returned and she added, “I imagine our experience with him made us sympathetic.... You see, I know the family very well. It’s the sort of blood which produces people with a genius for life ... for living in the moment.”

7She did not say that Jean and his mother and the ruthless cousin Lilli Barr fascinated her because they stood in a way for the freedom toward which she had been struggling through all the years since she escaped from Durham. They were free in a way from countries, from towns, from laws, from prejudices, even in a way from nationality. She had hoped once that Jean might interest himself in her own sullen, independent, clever Thérèse, but in her knowledge of the world she had long ago abandoned that hope, knowing that a boy so violent and romantic, so influenced by an upbringing among Frenchmen, a youth so completely masculine, was certain to seek a girl more soft and gentle and feminine than Thérèse. She knew it was inevitable that he should fall in love with a girl like Sybil, and in a way she was content because it fell in admirably with her own indolent plans. The Pentlands were certain to look upon Jean de Cyon as a sort of gipsy, and when they knew the whole truth....

8The speculation fascinated her. The summer in Durham, even with the shadow of Jack’s death flung across it, was not proving as dreadful as she had feared; and this new development interested her as something she had never before observed ... an idyllic love affair between two young people who each seemed to her a perfect, charming creature.