1Anson Pentland was not by nature a malicious man or even a very disagreeable one; his fussy activities on behalf of Morality arose from no suppressed, twisted impulse of his own toward vice. Indeed, he was a man of very few impulses—a rather stale, flat man who espoused the cause of Morality because it belonged to his tradition and therefore should be encouraged. He was, according to Sabine, something far worse than an abandoned lecher; he was a bore, and a not very intelligent one, who only saw straight along his own thin nose the tiny sector of the universe in which circumstance had placed him. After forty-nine years of staring, his gaze had turned myopic, and the very physical objects which surrounded him—his house, his office, his table, his desk, his pen—had come to be objects unique and glorified by their very presence as utensils of a society the most elevated and perfect in existence. Possessed of an immense and intricate savoir-faire he lacked even a suspicion of savoir-vivre, and so tradition, custom, convention, had made of his life a shriveled affair, without initiative or individuality, slipping along the narrow groove of ways set and uninteresting. It was this, perhaps, which lay at the root of Sybil’s pity for him.

2Worshiping the habit of his stale world, he remained content and even amiable so long as no attack was made upon his dignity—a sacred and complicated affair which embraced his house, his friends, his clubs, his ancestors, even to the small possessions allowed him by his father. Yet this dignity was also a frail affair, easily subject to collapse ... a sort of thin shell enclosing and protecting him. He guarded it with a maidenly and implacable zeal. When all the threats and pleadings of Aunt Cassie moved him to nothing more definite than an uneasy sort of evasion, a threat at any of the things which came within the realm of his dignity set loose an unsuspected, spiteful hatred.

3He resented O’Hara because he knew perhaps that the Irishman regarded him and his world with cynicism; and it was O’Hara and Irishmen like him—Democrats (thought Anson) and therefore the scum of the earth—who had broken down the perfect, chilled, set model of Boston life. Sabine he hated for the same reasons; and from the very beginning he had taken a dislike to “that young de Cyon” because the young man seemed to stand entirely alone, independent of such dignities, without sign even of respect for them. And he was, too, inextricably allied with O’Hara and Sabine and the “outlandish Thérèse.”

4Olivia suspected that he grew shrill and hysterical only at times when he was tormented by a suspicion of their mockery. It was then that he became unaccountable for what he said and did ... unaccountable as he had been on that night after the ball. She understood that each day made him more acutely sensitive of his dignity, for he was beginning to interpret the smallest hint as an attack upon it.

5Knowing these things, she had come to treat him always as a child, humoring and wheedling him until in the end she achieved what she desired, painlessly and surely. She treated him thus in the matter of refurnishing the house. Knowing that he was absorbed in finishing the final chapters of “The Pentland Family and the Massachusetts Bay Colony,” she suggested that he move his table into the distant “writing-room” where he would be less disturbed by family activities; and Anson, believing that at last his wife was impressed by the importance and dignity of his work, considered the suggestion an excellent one. He even smiled and thanked her.

6Then, after having consulted old John Pentland and finding that he approved the plan, she began bit by bit to insinuate the furniture of Horace Pentland into the house. Sabine came daily to watch the progress of the change, to comment and admire and suggest changes. They found an odd excitement in the emergence of one beautiful object after another from its chrysalis of emballage; out of old rags and shavings there appeared the most exquisite of tables and cabinets, bits of chinoiserie, old books and engravings. One by one the ugly desk used by Mr. Lowell, the monstrous lamp presented by Mr. Longfellow, the anemic water-colors of Miss Maria Pentland ... all the furnishings of the museum were moved into the vast old attic; until at length a new drawing-room emerged, resplendent and beautiful, civilized and warm and even a little exotic, dressed in all the treasures which Horace Pentland had spent his life in gathering with passionate care. Quietly and almost without its being noticed, the family skeleton took possession of the house, transforming its whole character.

7The change produced in Aunt Cassie a variety of confused and conflicting emotions. It seemed sacrilege to her that the worn, familiar, homely souvenirs of her father’s “dear friends” should be relegated into the background, especially by the hand of Horace Pentland; yet it was impossible for her to overlook the actual value of the collection. She saw the objects less as things of rare beauty than in terms of dollars and cents. And, as she had said, “Pentland things ought to find a place in a Pentland house.” She suspected Sabine of Machiavellian tactics and could not make up her mind whether Sabine and Horace Pentland had not triumphed in the end over herself and “dear Mr. Lowell” and “good, kind Mr. Longfellow.”

8Anson, strangely enough, liked the change, with reservations. For a long time he had been conscious of the fact that the drawing-room and much of the rest of the house seemed shabby and worn, and so, unworthy of such dignity as attached to the Pentland name.

9He stood in the doorway of the drawing-room, surveying the transformation, and remarked, “The effect seems good ... a little flamboyant, perhaps, and undignified for such a house, but on the whole ... good ... quite good. I myself rather prefer the plain early American furniture....”

10To which Sabine replied abruptly, “But it makes hard sitting.”

11Until now there had never been any music at Pentlands, for music was regarded in the family as something you listened to in concert-halls, dressed in your best clothes. Aunt Cassie, with Miss Peavey, had gone regularly for years each Friday afternoon, to sit hatless with a scarf over her head in Symphony Hall listening to “dear Colonel Higginson’s orchestra” (which had fallen off so sadly since his death), but she had never learned to distinguish one melody from another.... Music at Pentlands had always been a cultural duty, an exercise something akin to attending church. It made no more impression on Aunt Cassie than those occasional trips to Europe when, taking her own world with her, she stayed always at hotels where she would encounter friends from Boston and never be subjected to the strain of barbaric, unsympathetic faces and conversations.

12And now, quite suddenly, music at Pentlands became something alive and colorful and human. The tinny old square piano disappeared and in its place there was a great new one bought by Olivia out of her own money. In the evenings the house echoed to the sound of Chopin and Brahms, Beethoven and Bach, and even such barbaric newcomers as Stravinsky and Ravel. Old Mrs. Soames came, when she was well enough, to sit in the most comfortable of the Regence chairs with old John Pentland at her side, listening while the shadow of youth returned to her half-blind old eyes. The sound of Jean’s music penetrated sometimes as far as the room of the mad old woman in the north wing and into the writing-room, where it disturbed Anson working on “The Pentland Family and the Massachusetts Bay Colony.”

13And then one night, O’Hara came in after dinner, dressed in clothes cut rather too obviously along radically fashionable lines. It was the first time he had ever set foot on Pentland soil.